Do right-wingers (meaning conservatives, libertarians and anyone who would not be caught dead wearing a Che Guevara t-shirt) have a sense of humor? You might not think so, if your main sources of news have been John Stewart and Lena Dunham piped into your safe space on a politically correct campus. I have, however, seen right-wing humor in the wild, often at previous iterations of the Anthem Film Festival, and I have laughed and survived.
I caught up with the creator of web series “Quirky Female Protagonist” at this year’s LA Film Festival. She shared her secrets with me.
There seems to be a new meme in indie film: scary ladies. “Danger: Crazy Lady Ahead” award goes to a pair of films shown at the Dances With Films Festival.
The new dramedy “Don’t Think Twice” begins as if it’s a documentary on how to do improv. Then the members of the fictional improv group, The Commune, violate all the rules in their improv dire results, in their personal lives.
‘Creedmoria’, a film by first-time writer/director Alicia Slimmer, made its SoCal premier at the Dances With Films Festival. It chronicles the efforts of sweet-sixteen Candy Cahill, played by Stef Dawson, to come of age in one of the most dysfunctional families in movie history. As I watched the film, I hoped, for Slimmer’s sake, that this movie wasn’t too autobiographical. It turns out that it was.
‘Before the shooting, people were asking me all the time in which studio I would be filming, assuming that most of the film would be shot in front of green screens. The reality is very different. Out of the 30 days of shooting, we shot only one day in a green screen studio.
The LA Film Festival ‘Opening Night’ world premiere was Screenwriting 101 in 90 minutes. Filmmakers did everything right in this film, which stars Topher Grace as a failed Broadway star.
In Hollywood parlance, a “period piece” is a script or film that takes place in the past. ‘Girl Flu’, a film written and directed by Dorie Barton, gave a new meaning to that phrase. It’s a film about firsts. Without a doubt, it is the only film you’ll ever call charming, funny and heartwarming that has menstruation as its focus.
When you become aware of a car crash on the side of the road, you don’t want to look, but you do and then you can’t turn away from the horror you are seeing. That’s how I began to feel as I became immersed in the world of High-Rise. Not a perfect film, but seductive, beautiful, and an intriguing social allegory.