I inherited a respect for Orson Welles and a love for his work from an uncle who came of age in the 1940s when Orson Welles was one of radio and cinema’s best known actor/directors. When ‘Chimes at Midnight’ came out, I was busy coming of age and rioting at UCLA. I heard about the film and that Welles considered it his best work, but I missed it. Then, like the mysterious Mr. Welles himself, it disappeared for decades. Now, it’s back.
(Originally published on Blogcritics.org) The 1955 film Rififi should be seen and studied by every screenwriter and filmmaker. It is a near-perfect example of a heist flick, and a master class in how to structure a story Hollywood style. Ironically, the movie was created by filmmaker Jules Dassin, a man exiled from Hollywood. The film has been remastered […]
SXSW hosted the premier of the restored classic, The Breakfast Club, written and directed by John Hughes. But the event wasn’t so much a premier as it was a celebration of a movie that has touched a generation or two. With its upcoming special theatrical showings and release to Blu-ray and video, it is sure to touch a few more. When the doors opened, we were given Breakfast Club t-shirts and treated to a breakfast of donuts, coffee and mimosas. Thank you, Universal Studios.
A theatrical work can often tell us more about the time it was written in than the theme its author intended. Take the case of Sweeney Todd: The Demon Barber of Fleet Street. The story revolves around a barber, Sweeney Todd, who selectively killed his clients, sending their bodies down through a trap door to his […]